Livre - Feminism and museums

VOLUME ONE REILLY Maura, Executive Director, National Academy of Design, New York City, Foreword, p. 16 ASHTON Jenna C., Founder and Creative Director, Digital Women’s Archive North, Manchester, UK, Introduction, p. 42 1. THEORY INTO PRACTICE Chapter One – JONES Amelia, Robert A Day Professor, Roski School of Art & Design, University of Southern California, On Feminist Curating: An Interview with Amelia Jones, p. 58 Chapter Two – KRASNY Elke, Professor of Art & Education, Academy of Fine Arts, Vienna, Citizenship and the Museum: On Feminist Acts, p. 74 Chapter Three – FELDMAN Kaywin, Nivin and Duncan MacMillan Director and President, Minneapolis Institute of Art, Guerrillas in our Midst: A Museum Director’s Appeal for a New Feminist Agenda, p. 100 Chapter Four – SARANTOU Melanie, Post-Doctorate Researcher, University of Lapland, Finland, Women’s Laps as Intimate and Complex Spaces, p. 126 2. FOUNDED ON FEMINISM Chapter Five – SCHÖNWEGER Astrid, Coordinator, International Association of Women’s Museums, Women’s Museums: Hubs for Feminism, p. 156 Chapter Six – PATRICK Adele, Co-founder and Lifelong Learning and Creative Development Manager, Glasgow Women’s Library, Claiming Space and Being Brave: Activism, Agency and Art in the Making of a Women’s Museum, p. 184 Chapter Seven – GREENAN Althea, Curator, Women’s Art Library, London, The Women’s Art Library, p. 216 Chapter Eight – KNOWLES Helen, Curator, Birth Rites Collection, Birth Rites Collection: The Curator’s Perspective, p. 230 Chapter Nine – MACVANE PHIPPS Fiona, Senior Lecturer for Midwifery Research, University of Salford, Birth Rites and the Health and Social Care Professions: A Midwifery Critique, p. 246 Chapter Ten – HENDERSON P L, Writer and Artist, #WOMENSART and @womensart1: A Case Study, p. 264 Chapter Eleven – The Empower Foundation, Bangkok, Thailand, This Is Us: The Empower Foundation Museum of Sex Work, p. 276 Chapter Twelve – REMER Ashley E (Founder and Head Girl) and RHOADES Tiffany (Program Developer), Girl Museum, Girl Museum: Using Digital to Showcase Feminism in Cultural Heritage, p. 298 Chapter Thirteen – IPSEN Merete, Co-Founder and Director, Women’s Museum in Denmark, The Women’s Museum in Denmark: From Women’s History to Gender Culture, p. 318 Chapter Fourteen – DUHAMEL Karine R (Curator for Indigenous Rights) and PERISTERAKIS Julie (Curator for Activism and Social Change), Canadian Museum for Human Rights, Indigenous Women, Intersectionality and Activism at the Canadian Museum of Human Rights, p. 344 Chapter Fifteen – FURLONG Holly, Museum Educator, National Museum of Ireland, The Women’s Museum of Ireland, p. 372 Chapter Sixteen – SÁNCHEZ GARCÍA María, Cultural Manager and Visual Artist, The Gender Museum in Ukraine: A Museum for Dialogue, p. 380 3. ARTIST INTERVENTIONS Chapter Seventeen – SPIES Sara (Senior Lecturer in Dance, University of Chester) and ABULHAWA Dani (Senior Lecturer in Performance, Sheffield Hallam University), Accumulations Collective, (En)gendering “Undisciplined” Space: Reflections on Precarious Assembly, p. 406 Chapter Eighteen – RÜST Annina, Assistant Professor of Arts, Florida Atlantic University, A Piece of the Pie Chart at the LACMA Art + Tech Lab, p. 422 Chapter Nineteen – BELL Catherine, Associate Professor Visual Arts, Australian Catholic University, Bringing Daphne Back: Archival Research and Artistic Collaboration, p. 436 Chapter Twenty – VOLOVOD Iaroslav, Assistant Curator, Garage Museum of Contemporary Art, Moscow, She. The Title of the Artist: Female Artists in the Russian Imperial Academy of Arts, p. 452 Chapter Twenty-One – RATLIFF Jamie L (Assistant Professor of Art History) and VERHOEVEN Anneliese (Lead Exhibition Designer, Tweed Museum of Art), University of Minnesota-Duluth, Reframing Ophelia: Feminist Interventions at the Tweed Museum of Art, p. 470 Chapter Twenty-Two – La Emancipada, Quito, Ecuador, La Emancipada: A Feminist Art Collective in Ecuador, p. 484 Chapter Twenty-Three – MCNAMARA Julie, Artistic Director, Vital Xposure, London, Monstrous Daughters, p. 494 Chapter Twenty-Four – SOTOMAYOR Leslie C, Doctoral Candidate, Pennsylvania State University, A Feminist Curatorial Art Practice Between Cuban and Cuban-American Artists, p. 510 Chapter Twenty-Five – RADTKE Merle, Graduate Program Fellow, Academy of Fine Arts, Hamburg, Female Extension: A Cyberfeminist Intervention, p. 536 Chapter Twenty-Six – POLETTO Paola, Manager of Adult Learning and Residency Programs, Art Gallery of Ontario, Toronto, Meera Margaret Singh: Echoes, Laughter and Female Bodybuilders, p. 550 Chapter Twenty-Seven – HERMAN Ana-Maria, Research Associate, Women’s Art Library, London, Making Women’s Archives Travel with the WAL App, p. 564 Chapter Twenty-Eight – REID Jennifer, Performer of Traditional Ballads and Songs, Off The Cuff: Thinking Through My Feminism, p. 580 Chapter Twenty-Nine – KERSHAW Anne Louise, Co-Director, Instigate Arts, Manchester, The Politics of Practice, p. 588 About the Editor, p. 596 About the Authors, p. 598 KERSHAW Anne Louise, Co-Director, Instigate Arts, Mancheter, Art is Everywhere (2003), p. 614 Also from MuseumEtc, p. 616 Colophon, p. 620